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Complementary Colours — A Simple Limited Palette Method for Painting
Learn how complementary colours can create harmony, rich mixed greys and stronger compositions in still life and landscape painting.
Mar 16
•
Jane McAulay
1
February 2026
Distillation and the Artist’s Eye
From From observation to personal visual language: how sustained attention and focused exploration shape an artist’s practice over time.
Feb 21
•
Jane McAulay
R. B. Kitaj: Writing as Part of the Work
How an artist uses text, thought and reference in painting
Feb 20
•
Jane McAulay
Suzanne Valadon: Learning Without Permission
What artists can learn from Suzanne Valadon about observation, independence and developing a visual language without formal training.
Feb 20
•
Jane McAulay
You Can’t Develop as an Artist If You’re Looking to Others — Including Your Family
A practical look at building artistic judgement and direction without comparison or outside validation.
Feb 19
•
Jane McAulay
1
The Value of Constraints
A studio exploration of how a restricted four-colour palette reframed experimentation and compositional decision-making.
Feb 16
•
Jane McAulay
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